CONTEMPORARY PAINTER | CHAPTER ARTIST
American contemporary painter known for her serialized "chapter" format and investigations into the relationship between painting, photography, and exhibition space
Born
Chapters
Rebecca H. Quaytman (born 1961, Boston, Massachusetts) is an American contemporary painter whose work has profoundly influenced discussions about the nature of painting in the 21st century. She is best known for her innovative serialized "chapter" format, in which she creates bodies of work specifically for particular exhibitions and contexts.
Each chapter consists of paintings on beveled plywood panels that explore the relationship between painting, photography, and printed media. Her works incorporate silkscreening, optical effects, and architectural interventions, creating a complex dialogue between image-making and exhibition space.
Quaytman's practice is deeply informed by the history of modernist abstraction, conceptual art, and institutional critique. She employs a rigorous formal vocabulary that includes geometric patterns, photographic reproductions, and text, often referencing art historical precedents and the specific architectural features of exhibition venues.
Her work has been featured in major solo exhibitions at institutions including the Museum of Modern Art (MoMA), Museo Nacional Centro de Arte Reina Sofía, and Neugerriemschneider Berlin. In 2015, she received the prestigious Wolfgang Hahn Prize from Museum Ludwig in Cologne.
Bachelor of Arts in Art History and Studio Art
Annandale-on-Hudson, New York
Quaytman's practice was shaped by her engagement with minimalism, conceptual art, and the Pictures Generation. Her work draws on influences from Gerhard Richter, Sigmar Polke, institutional critique, and postmodern theory.
Quaytman's work investigates painting as both a physical object and a discursive space. Her chapter format allows each exhibition to function as a specific investigation into painting's relationship with its context.
Recognized internationally for significant contributions to contemporary painting
Miguel Abreu Gallery, New York
Museo Nacional Centro de Arte Reina Sofía, Madrid and MoMA, New York
Museum Ludwig, Cologne - Major retrospective exhibition
Neugerriemschneider, Berlin
Whitney Museum of American Art, New York
Various venues including Kunsthalle Basel and Centre Pompidou
Miguel Abreu Gallery, New York - Developing the chapter format
Inaugural chapter, establishing the serialized format
Quaytman's distinctive approach involves creating site-specific bodies of work that respond to the architecture and history of exhibition spaces. Each chapter is conceived as a unified whole, with individual paintings functioning as sentences within a larger narrative.
Her technical process includes:
Investigation of the physical and phenomenological properties of painting
Exploration of mechanical reproduction and its relationship to painting
Site-specific responses to exhibition architecture and institutional history
Engagement with modernist abstraction and conceptual art traditions
Use of sequential chapter format to create ongoing investigations
Discover all 34 chapters spanning two decades of contemporary painting innovation
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