R. H. QUAYTMAN

CONTEMPORARY PAINTER | CHAPTER ARTIST

American contemporary painter known for her serialized "chapter" format and investigations into the relationship between painting, photography, and exhibition space

R.H. Quaytman
1961

Born

34

Chapters

Biography

Rebecca H. Quaytman (born 1961, Boston, Massachusetts) is an American contemporary painter whose work has profoundly influenced discussions about the nature of painting in the 21st century. She is best known for her innovative serialized "chapter" format, in which she creates bodies of work specifically for particular exhibitions and contexts.

Each chapter consists of paintings on beveled plywood panels that explore the relationship between painting, photography, and printed media. Her works incorporate silkscreening, optical effects, and architectural interventions, creating a complex dialogue between image-making and exhibition space.

Quaytman's practice is deeply informed by the history of modernist abstraction, conceptual art, and institutional critique. She employs a rigorous formal vocabulary that includes geometric patterns, photographic reproductions, and text, often referencing art historical precedents and the specific architectural features of exhibition venues.

"I think of each painting as a sentence within a chapter, and the chapter as a response to a specific situation."
— R. H. Quaytman

Her work has been featured in major solo exhibitions at institutions including the Museum of Modern Art (MoMA), Museo Nacional Centro de Arte Reina Sofía, and Neugerriemschneider Berlin. In 2015, she received the prestigious Wolfgang Hahn Prize from Museum Ludwig in Cologne.

Education & Background

Bard College

Bachelor of Arts in Art History and Studio Art

Annandale-on-Hudson, New York

Early Influences

Quaytman's practice was shaped by her engagement with minimalism, conceptual art, and the Pictures Generation. Her work draws on influences from Gerhard Richter, Sigmar Polke, institutional critique, and postmodern theory.

Artistic Philosophy

Quaytman's work investigates painting as both a physical object and a discursive space. Her chapter format allows each exhibition to function as a specific investigation into painting's relationship with its context.

Serialized Chapter Format
Site-Specific Investigations
Beveled Plywood Panels
Silkscreen & Mixed Media Techniques

Awards & Recognition

Recognized internationally for significant contributions to contemporary painting

Wolfgang Hahn Prize (2015) Museum Ludwig Exhibition MoMA Collection Whitney Museum Collection Guggenheim Collection Tate Collection Centre Pompidou Collection Featured in Artforum

Major Exhibitions Timeline

2020
Chapter 34: An Himself

Miguel Abreu Gallery, New York

2016-2017
Chapter 33: Allegorical Decoys

Museo Nacional Centro de Arte Reina Sofía, Madrid and MoMA, New York

2015
Wolfgang Hahn Prize

Museum Ludwig, Cologne - Major retrospective exhibition

2013
Chapter 29: Morning

Neugerriemschneider, Berlin

2011
Chapter 24

Whitney Museum of American Art, New York

2008-2010
Multiple Chapters (15-20)

Various venues including Kunsthalle Basel and Centre Pompidou

2005-2007
Early Chapter Series

Miguel Abreu Gallery, New York - Developing the chapter format

2001
Chapter 1

Inaugural chapter, establishing the serialized format

Working Method

Quaytman's distinctive approach involves creating site-specific bodies of work that respond to the architecture and history of exhibition spaces. Each chapter is conceived as a unified whole, with individual paintings functioning as sentences within a larger narrative.

Her technical process includes:

  • Beveling edges of plywood panels to create dimensional depth
  • Applying gesso grounds for silkscreen printing
  • Incorporating photographic reproductions and archival imagery
  • Using geometric patterns and optical effects
  • Integrating text and art historical references

Key Themes

Painting as Object

Investigation of the physical and phenomenological properties of painting

Photography & Reproduction

Exploration of mechanical reproduction and its relationship to painting

Architectural Context

Site-specific responses to exhibition architecture and institutional history

Art Historical Reference

Engagement with modernist abstraction and conceptual art traditions

Seriality & Structure

Use of sequential chapter format to create ongoing investigations

Explore the Complete Body of Work

Discover all 34 chapters spanning two decades of contemporary painting innovation

View Portfolio Contact

© Quayt Mans. All Rights Reserved.